How Can You Worship a Homeless Man on Sunday and Ignore One on Monday?
by Peter Cohen
www.coalitionforthehomeless.org
www.petercohen.com
How Can You Worship a Homeless Man on Sunday and Ignore One on Monday?
by Peter Cohen
www.coalitionforthehomeless.org
www.petercohen.com
Solidaridad con las Costureras de Guatemala
by Marilyn Anderson
”Free Trade” practices of transferring U.S. clothing production to countries such as Guatemala were already beginning in the 1980s. Women earning low wages were the primary workers in these maquiladoras, but unions in Guatemala had to fight for their right to exist and suffered the murder of many labor leaders.
My years of living in Guatemala and knowledge about the traditional arts there made me understand that the women who worked in the maquiladoras were being deskilled. They had become part of the world-wide drive toward globalization – one result of which meant the destruction of traditional cultures.
Struggles continue today to give workers of all kinds in Guatemala the right to join unions. But the image in my poster has a hopeful message in the quetzal bird hovering over the needle worker and her sewing machine. The national bird of Guatemala signifies freedom – in this instance freedom from oppression and lack of labor rights.
Artwork © 2010 Marilyn Anderson.
www.proartemaya.org
Good Planets are Hard to Find
by Harrell Graham
The Earth and its living systems have evolved for five billion years…and now with our technology we have the power to destroy it all.
We also have the power to save it.
harrellgraham@yahoo.com
Photo courtesy NASA
Bruce Gilbert
“iRaq”
2004, silkscreen
“The iRaq poster project was created to remind the public that we are at war. A friend and I created the posters anonymously as Forkscrew Graphics, a Los Angeles design group committed to social awareness projects. We simply used the language and iconography of an incredibly visible campaign (Apple’s iPod) to help stimulate dialogue surrounding an important and complicated issue: What is the U.S. doing in Iraq, and what does it mean to us and the rest of the world? We were sold a war that promised to secure freedom to us and to others by delivering democracy to the people of Iraq, and it’s become increasingly clear that it’s done neither. Ultimately the desired effect of the project is to shift the focus from products to people, from consumers to concerned citizens. We want to show that no matter how manipulated the mediasphere becomes, and no matter how many tons of messages the marketing world dumps on the public, there are ways to take the symbols and tools of marketing and use them to disrupt the barrage of commercial communications.”
Artwork © 2004 and 2007 Forkscrew Graphics
Inset photo © Forkscrew Graphics
www.forkscrew.com
CSPG depends upon the donation of posters and prints to make this resource as representative as possible of the many historical and ongoing struggles. CSPG collects graphics with overt political content that were produced in multiples—including offset, silkscreen, stencil, digital output, woodcut, linocut, etc. Old and contemporary posters, as well as duplicate posters, are welcome.
To donate posters, rent an exhibition, or for more information on the Center for the Study of Political Graphics, please visit our website: www.politicalgraphics.org
or contact:
Center for the Study of Political Graphics
3916 Sepulveda Blvd. - Suite 103/104
Culver City, CA 90230
tel: 310-397-3100
fax: 310-397-9305
email: cspg@politicalgraphics.org