As a creative community we can provide the tools people need to speak out and protect our most precious public programs from further deterioration.
Wednesday, December 19, 2012
Poster of the Week
Save Medicare, Medicaid, Social
Security
Xavier Viramontes
San Francisco, 2012
Our
country isn't broke - It's being robbed.
The
so-called fiscal cliff is actually a fiscal bluff — a made-up crisis to make us
think our government is out of money and time. Congress continues to drag its
feet over raising taxes on the wealthiest Americans, despite the top 1% earning
23% of the nation's income, and insists on calling for cuts to vital programs
instead of reining in massive subsidies ($100 billion in 2011 alone) to
major corporations that already make billions in profits. America isn't broke
— it's being robbed.
Dec.
19, 2012 is ARTSTRIKE — a day of action to
share powerful art and music that can convince our friends that more cuts and
tax breaks aren’t the answer. Artists from across the country have come
together to make their voices heard. It couldn't come at a more urgent
time, as Washington, D.C. nears a deal that would slash Social Security and
raises taxes on the poor and middle class. Stand up against cuts to vital
programs and demand the wealthy pay their fair share. Corrupt billionaires,
tax-dodging corporations, and those who serve them have manufactured this
crisis and are refusing to pay their fair share.
As a creative community we can provide the tools people need to speak out and protect our most precious public programs from further deterioration.
As a creative community we can provide the tools people need to speak out and protect our most precious public programs from further deterioration.
To
see more posters or submit your own art, go to
Sources:
Labels:
Artstrike,
Fiscal cliff,
Medicaid,
Medicare,
Social Security,
United States
Friday, December 14, 2012
Poster of the Week
One
Child a Day
James
B. Wood
National
Coalition to Ban Handguns*
Offset,
1987
United
States
7444
On December 14, 2012, a gunman killed 26 people, 20 of them
children between the ages of 5 and 10, at an elementary school in Newtown,
Conn., about 65 miles northeast of New York City. When will we make it harder
to obtain guns?
Poster text:
One Child A Day...Every Day Each year, nearly 400 children under the age of 15 are
killed with handguns in the United States. More than 100 children are murdered
and over 300 are killed unintentionally. This figure does not even include
youth suicide, the tenth leading cause of death among children. Help us save young lives. Support the National Coalition to Ban
Handguns.
*In 1989, the National Coalition to Ban Handguns changed its
name to the Coalition to Stop Gun Violence, in part because the group felt that
"assault rifles" as well as handguns, should be outlawed.
Monday, December 10, 2012
Poster of the Week
NYPD
Drones
Essam Attia
New York, 2012
The UN marked Human Rights Day 2012 by declaring that everyone has the right to be heard and to shape the decisions that affect their lives and communities. "International law is clear: No matter who you are, or where you live, your voice counts," U.N. chief Ban Ki-moon said in his message for the day.
But last week, not far from where these idealistic words were spoken, the New York Police Department (NYPD) arrested an artist for making his voice heard.
Essam Attia, had designed and surreptitiously placed satirical posters dealing with the NYPD’s potential use of pilotless drone aircraft. Attia and a team posed as maintenance workers who routinely replace advertisements in plastic cases at bus stops and other public locations. The posters simulated NYPD public service announcements and depict drones firing missiles at fleeing civilians. One of the posters says, “NYPD drones: Protection when you least expect it.” An NYPD logo appears at the bottom of the image.
In what amounts to a political vendetta against Attia for daring to criticize the police, the artist has been charged on 56 criminal counts, including grand larceny, possession of stolen property and a weapons charge for possession of an antique, unloaded .22 caliber handgun. The NYPD appears to have put some effort into hunting the artist down. Officers were seen dusting the poster-boxes for fingerprints in September, shortly after the posters began to appear.
In a video interview posted on animalnewyork.com in September, Attia—his voice disguised and face hidden—said that he posted the images “to create a conversation about the deployment of drones in American airspace. We have to remember that right now, internationally, they are being used to kill people. They’re armed: they shoot missiles. We’re fighting an illegal war in Pakistan and no one seems to want to talk about it.”
A US Army veteran who served as a geo-spatial analyst in Iraq, Attia added, “We know some [police] departments in Texas have them. It’s only a matter of time before New York has them. … Weaponized drones used to kill American citizens coming to New York City? I’m not sure I’m cool with that.”
In February, Congress approved legislation that would allow 30,000 drones in American airspace by 2020. Predator drones, the same aircraft that the US military uses in Pakistan and Yemen, already patrol the US-Mexican border and were used last year by police in North Dakota. The environmental Protection Agency has reportedly been using drones to spy on cattle ranchers in Nebraska.
The sheriff’s office in Alameda County, California, was recently forced to suspend the purchase of a surveillance drone after a public outcry.
In New York City, a memo released under the Freedom of Information Act earlier this year revealed discussions between the NYPD and the Federal Aviation Administration in which the NYPD stated it was “investigating the possible use of UAV's [unmanned aerial vehicles] as a law enforcement tool.”
The most notorious use of drones has been that of the Bush and Obama administrations in Afghanistan, Pakistan, Yemen, and elsewhere where they have been used not only for surveillance but to kill over 2,500 civilians as part of an effort to assassinate a smaller number of individuals that the president deems to be terrorist. Several American citizens have been killed in these operations, including Anwar al-Awalki, targeted by a CIA drone in Yemen by presidential order in September last year.
History of Human Rights Day
The date was chosen to honor the United Nations General Assembly’s adoption and proclamation, on 10 December 1948, of the Universal Declaration of Human Rights (UDHR), the first global enunciation of human rights and one of the first major achievements of the new United Nations. December 10, 1896 is the death date of Alfred Nobel, whose Nobel Peace Prize is also awarded on this date. Sunday (December 9) in Oslo, Norway, the awarding of the Nobel Peace Prize to the European Union drew at least 1000 protesters, who claimed that awarding the prize to the EU contradicts Alfred Nobel’s vision of a demilitarized global peace order.
Sources:
Wednesday, November 28, 2012
Poster of the Week
Triangle Shirtwaist
Factory Fire 1911/2011
Laura Tolkow
Offset, 2011
New York
CSPG’s Poster of the Week commemorating the 100th anniversary
of the tragic 1911Triangle Shirtwaist Factory fire, horrifically evokes
this week’s tragic headlines about the deadly fire in Bangladesh. On March 25, 1911, a
fire broke out at the Triangle Shirtwaist Factory in New York City and 146
workers died, mostly young Italian and Jewish immigrant women. On Saturday,
November 24, 2012, a fire in a Bangladesh garment factory killed 112, and more
bodies may be found.
In 1911 New York and 2012 Bangladesh, many workers died because the factory
bosses ordered the exit doors to be locked and ignored safety issues. In
Bangladesh there were also dummy fire extinguishers, and bosses who ordered the
employees back to work after fire alarms went off. There were no emergency
exits.
The Poster of the Week includes the statement, “This fire changed
America." This is partially true.
The outrage resulting from the Triangle Shirtwaist Factory fire let to
stronger health and safety conditions in many U.S. workplaces. Unfortunately,
it did not prevent corporations from producing their items overseas, where
sweatshop conditions are rampant.
Bangladesh is the second largest exporter of ready-to-wear clothing after
China, exporting about $18 billion worth of garments a year. Employees in the
country’s factories are among the world’s lowest-paid, with entry-level workers
making the government-mandated minimum wage of about $37 a month or slightly
above. Tensions have been running high between workers, who have been demanding
an increase in minimum wages, and the factory owners and government. A union
organizer, Aminul Islam, who campaigned for better working conditions and
higher wages, was found tortured and killed outside Dhaka this year. Bangladesh has about 4,500 garment factories that make clothes for stores including Tesco, Wal-Mart, J.C. Penney, H&M, Marks & Spencer, Kohl's and Carrefour. Although photos of charred Wal-Mart “Faded Glory” labels have been shown on television and the net, Wal-Mart is denying that they still used that clothing factory, saying that it was no longer authorized to produce merchandise for the company. However, the International Labor Rights Forum, which tracks fires in the Bangladesh garment industry, said documents and logos found in the debris indicated that the factory produced clothes for Walmart’s Faded Glory line as well as for other American and foreign companies.
When will we ever learn!
Sources:
Poster available from
Syracuse Cultural Workers:
http://www.nytimes.com/2012/11/26/world/asia/bangladesh-fire-kills-more-than-100-and-injures-many.html?_r=0Tuesday, November 20, 2012
Posters of the Week
Two Posters of the Week – One with an international focus, the other domestic, but both involve human rights and human dignity, people’s right to a living wage, and people’s right to live in peace.
No
David Gentleman
Stop the War Coalition
Offset, 2003
London, UK
24662
Produced to oppose the Wars in Iraq and Afghanistan, David
Gentleman uses his signature blood spatter, to create a primal graphic scream:
No Bombs
No Occupation
No Killing
No Blockade
No Drones
No MORE
Wal-Mart Hurts 99%
Los Angeles County Federation of Labor
Offset, 2012
Los Angeles, California
40110
The day after Thanksgiving, the largest shopping day of the
year, is called “Black Friday” by retailers, and “Buy Nothing Day” by activists
against consumerism.* This Friday,
artists and activists are transforming the biggest day of mass consumption into
a day of mass-resistance by supporting thousands of protesting Walmart workers
as they demonstrate at Walmart stores and warehouses across the country, challenging
the greed of one of America’s wealthiest corporations. To see more graphics, or send in some
of your own designs, go to bit.ly/U9Wpv6
For More information:
*to see the history of Buy Nothing Day, go to: http://cspgblog.blogspot.com/2011_11_01_archive.html
Friday, November 2, 2012
Poster of the Week
From Katrina to Sandy…and the Politicians Still Aren’t Talking About Climate Change!
Patriot Inaction
Robbie Conal
Offset, 2005
Los Angeles, California
Patriot Inaction
Robbie Conal
Offset, 2005
Los Angeles, California
Wednesday, October 24, 2012
Poster of the Week
"What
is right has always been called radical by those with a stake in things that
are wrong."
—Senator George McGovern
(July
19, 1922 – October 21, 2012)
Come Home America
Corita Kent
Offset, 1972
Boston, MA
25235
South Dakota Senator George McGovern died this week. He was considered by many to have been
one of the most honest and principled men to have run for president on either
Democratic or Republican Party ticket.
“Every
senator in this chamber is partly responsible for sending 50,000 young
Americans to an early grave,” he said. “This chamber reeks of blood. Every
senator here is partly responsible for that human wreckage at Walter Reed and
Bethesda Naval [hospitals] and all across our land—young men without legs, or
arms, or genitals, or faces or hopes. There are not very many of these blasted
and broken boys who think this war is a glorious adventure. Do not talk to them
about bugging out, or national honor or courage. It does not take any courage
at all for a congressman, or a senator, or a president to wrap himself in the
flag and say we are staying in Vietnam, because it is not our blood that is
being shed. But we are responsible for those young men and their lives and
their hopes. And if we do not end this damnable war those young men will some
day curse us for our pitiful willingness to let the Executive carry the burden
that the Constitution places on us.”
McGovern’s
moral condemnation was greeted in the chamber with stunned silence. When one
senator told McGovern he was personally offended by his remarks, McGovern
answered: “That’s what I meant to do.”
McGovern ran against Richard Nixon in the 1972 presidential
election. He was the only
anti-Viet Nam War candidate running, and was strongly supported by the anti-war
movement. The Republican party, however, successfully colored McGovern as a
radical leftist, crippling his reputation with many voters.
With Nixon garnering almost 61% of the popular vote, the
election was the most one-sided in American history. In his disastrous race
against Nixon, McGovern had promised to end the conflict in Viet Nam and cut
defense spending by billions of dollars. He helped create the Food for Peace
program and spent much of his career believing the United States should be more
accommodating to the former Soviet Union. And McGovern never shied from the
word “liberal,” even as other Democrats blanched at the label and Republicans
used it as an epithet. “I am a
liberal and always have been,” McGovern said in 2001. “Just not the wild-eyed
character the Republicans made me out to be.”
In June 1972, the Richard M. Nixon Administration was behind a break-in at the Democratic National Committee headquarters at the Watergate office complex in Washington, D.C. to learn about the Democratic Party strategies for the November 1972 election. The Watergate scandal was a result of both the break-in and the subsequent attempt by the Nixon administration to cover-up their involvement. The scandal eventually led to the resignation of President Nixon, on August 9, 1974, the only resignation of a U.S. President. The scandal also resulted in the indictment, trial, conviction and incarceration of 43 people, including dozens of Nixon's top administration officials.
Americans voting for president in 1972 were aware of the
Watergate break-in, and McGovern tried to make a campaign issue out of the
bungled attempt to wiretap the offices of the Democratic National
Committee. He called Nixon the
most corrupt president in history, but the most damaging details of Nixon's
involvement wouldn't emerge until after Election Day. Many considered this to
be part of the cover-up to ensure Nixon’s election.
In a moving obituary about McGovern, Chris Hedges writes,
“Here was a politician who cared more for his country and for human decency
than he did for his political ambitions or his career.” Hedges concludes with excerpts from
McGovern’s acceptance speech.
Would that someone would say these words today:
“From secrecy and
deception in high places; come home, America.
From military
spending so wasteful that it weakens our nation; come home, America.
From the entrenchment
of special privileges in tax favoritism; from the waste of idle lands to the
joy of useful labor; from the prejudice based on race and sex; from the
loneliness of the aging poor and the despair of the neglected sick—come home,
America.
Come home to the
affirmation that we have a dream. Come home to the conviction that we can move
our country forward.
Come home to the
belief that we can seek a newer world, and let us be joyful in that homecoming,
for “this is your land, this land is my land—from California to New York
island, from the redwood forest to the gulf stream waters—this land was made
for you and me.”
So let us close on
this note: May God grant each one of us the wisdom to cherish this good land
and to meet the great challenge that beckons us home.
And now is the time
to meet that challenge.”
Friday, October 19, 2012
Poster of the Week
Huelga!
Andy Zermeño
United Farm Workers Organizing Committee
Offset, 1966
Los Angeles, California
CSPG’s Poster of the Week is by Andy Zermeño,
who volunteered for the farm workers movement for 14 years, helping to create
their powerful graphic identity. Andy,
along with Tom Morello and Joan Sekler will be honored by the Center for the Study of Political Graphics
on Sunday, October 21st. For ticket information, please visit www.politicalgraphics.org
Andy was the
first artist recruited by Cesar Chavez to design posters and other graphics for
organizing farm workers—years before Chavez and Dolores Huerta formed the
United Farm Workers Union. Andy’s
longer bio is below, and a ten minute interview with him can be seen on
youtube: http://www.youtube.com/watch?v=ht7HG68Vwdk&list=PL70C2D0E57C05B32E&feature=plcp.
Andy
describes this Huelga! poster:
I was just trying to show the spirit
of the guys (who) were attacking the status quo…They were eager to get in
there, eager to do something for themselves. That’s what impressed me, that’s what I wanted to show.
This
powerful poster is both important and fascinating, not only for what it openly
says, but for what it historically reveals. Every archive and library with a copy of this poster, from
the UFW website to university collections, consistently dates it from
1965. CSPG research, however,
raises a question. The sign on the farm worker’s chest says UFWOC, for the United Farm Workers Organizing Committee, a precursor of the United
Farm Workers (UFW). The
problem with the 1965 date, is that UFWOC wasn’t created until 1966.
UFWOC formed from
the merging of two groups, the Agricultural Workers Organizing Committee
(AWOC) led by Filipino organizer Larry Itliong, and the National Farm
Workers Association (NFWA) co-founded by Cesar Chavez and Dolores Huerta.
This union changed from a workers' rights organization that helped workers get
unemployment insurance to that of a union of farm workers almost overnight, when
the NFWA went out on strike in support of the mostly Filipino farmworkers of
the AWOC in Delano, California, who had previously initiated a grape strike on
September 8, 1965. The NFWA and the AWOC, recognizing their common goals and
methods, and realizing the strengths of coalition formation, jointly formed the
United Farm Workers Organizing Committee on August 22, 1966. This organization
was accepted into the AFL-CIO in 1972 and changed its name to the United Farm Workers union (UFW).
Andy Zermeño Biography
Born in
Salinas, California in 1935, Andy grew up in the mostly poor working class
agricultural town of Soledad. He
is the oldest of 5 brothers and sisters.
His father was born in Mexico, and his mother is from Boyle
Heights. In 1954, following high
school graduation, Andy attended the California College of Arts and Crafts in
Oakland on a scholarship. He
worked as a set designer and production artist for KSBW-TV and worked summers
as a state fruit inspector to finance college.
Andy credits
his brother Alex for introducing him to the civil rights struggle for Mexican
Americans. In Salinas, Alex was
active in the Community Service Organization (CSO) founded by Saul Alinsky and
Fred Ross. The CSO organized voter
registration, participated in civic and political affairs, and fought
discrimination against minorities. Cesar Chavez was in CSO at the time, and
when Andy designed a logo for the organization, Chavez recognized his
talent.
In 1958,
Andy transferred to the Art Center School of Design in Los Angeles to study
painting and drawing, graduating in 1961 with a Bachelor of Professional Arts
degree. When Cesar Chavez left the
CSO in 1962 to organize farmworkers in Delano, he asked Andy to volunteer his artistic
skills. Andy put the finishing
touches on the design of the iconic UFW eagle, and created posters and graphics
for the farmworkers for fourteen years. He created the look and the majority of
the illustrations for UFW newspaper, El
Malcriado, creating cartoon characters to educate often illiterate
farmworkers about their rights and the need to join the union: Don Sotaco, the
exploited farm worker; El Patron, the greedy landowner; and El Coyote, the
brutal labor contractor. In 1965,
the Mexican farm workers led by Chavez, Huerta and their National Farm Workers Association (NFWA), joined with striking
Filipino farm workers who had started what became an historic grape strike and
boycott. A year later, the Filipino Agricultural
Workers Organizing Committee (AWOC) merged with the NFWA to create the
United Farm Workers Organizing Committee (UFWOC), precursor to the UFW. Andy created the powerful Huelga!/Strike
poster to promote this historic collaboration, support the strike, and show the
determination of the union members to achieve justice.
In 1970,
Andy moved with his wife Anita, and their children, Claire, Greg, and Andrea,
to Keene, California to work for the United Farm Workers for one year. In
addition to continuing making art for El
Malcriado, he created posters promoting strikes and boycotts—notably of
Gallo Wine—benefit concert posters, as well as stamps and a calendar to be used
as fundraisers to support union activities against nonunion produce. At the end
of the year the family returned to Los Angeles to recover financially, but he
continued to volunteer for the UFW.
Andy worked as a freelance commercial illustrator, as a technical
illustrator and writer of assembly instruction for Hughes Aerospace Company,
and was the owner of a solar power design firm. He retired in 1998 to dedicate more time to painting,
sculpture, and other personal projects.
CSPG is honoring Andy Zermeño, along with activist/documentary filmmaker Joan
Sekler and musician/activist Tom Morello, on Sunday, October 21, 2012, from 3-7
in Hollywood. Following the awards program, Morello will perform a 30-40 minute
set. For more information about the event, please go to www.politicalgraphics.org
Thursday, October 4, 2012
Poster of the Week
Vote Commoner for
President
Peace Press
Offset, 1980
Los Angeles, CA
5930
Peace Press
Offset, 1980
Los Angeles, CA
5930
CSPG’s Poster of the
Week commemorates Barry Commoner,
a founder of the modern ecology movement.
Commoner was one of the movement’s most provocative thinkers and mobilizers
in making environmentalism a people’s political cause. He died on Sunday in Manhattan; he was
95.
In the late 1950s, Dr. Commoner became well known for his
opposition to nuclear weapons testing, becoming part of the team which
demonstrated the presence of Strontium 90 in children’s teeth as a direct
result of nuclear fallout. His
work contributed materially to the adoption of the Nuclear Test Ban Treaty of
1963.
In his bestselling 1971 book The Closing Circle, Dr. Commoner
suggested that the American economy should be restructured to conform to the
unbending laws of ecology. For example, he argued that polluting products (like
detergents or synthetic textiles) should be replaced with natural products
(like soap or cotton and wool). This book was one of the first to bring the
idea of sustainability to a mass audience. Dr. Commoner suggested a left-wing,
eco-socialist response to the limits to growth thesis, postulating that
capitalist technologies were chiefly responsible for environmental degradation,
as opposed to population pressures.
Dr. Commoner’s overarching concern was not ecology as such
but rather a radical ideal of social justice in which everything was indeed
connected to everything else. Like some other left-leaning dissenters of his
time, he believed that environmental pollution, war, and racial and sexual
inequality needed to be addressed as related issues of a central problem.
In 1980, Commoner founded the Citizens Party to serve as a
vehicle for his ecological message, and he ran for President of the United
States the same year. His official running mate was La Donna Harris. It is
especially fitting to pay tribute to him during the season of presidential
debates, when both the Democrats and Republicans strongly agree on at least one
thing: Not to allow Third Party
Candidates from participating in
the debates!
One of Commoner's lasting legacies is his four
laws of ecology, as written in The Closing Circle (1971). The four laws
are:
- Everything is Connected to Everything Else. There is one ecosphere for all living organisms and what affects one, affects all.
- Everything Must Go Somewhere. There is no "waste" in nature and there is no "away" to which things can be thrown.
- Nature Knows Best. Humankind has fashioned technology to improve upon nature, but such change in a natural system is, says Commoner, "likely to be detrimental to that system."
- There Is No Such Thing as a Free Lunch. Exploitation of nature will inevitably involve the conversion of resources from useful to useless forms.
Commoner wrote this over 40 years ago. When will we ever learn.
BARRY COMMONER
PRESENTE!
PRESENTE!
Sources:
Friday, September 28, 2012
Poster of the Week
What Is Our One Demand?
Adbusters Media Foundation
Offset, 2011
Vancouver, British Columbia, Canada
38995
This poster is credited for starting the Occupy Wall Street [OWS] movement in the U.S.
Early in June 2011, Canadian-based Adbusters Media Foundation sent its subscribers an email saying that “America needs its own Tahrir,” referring to Tahrir Square in Cairo, occupied by hundreds of thousands of Egyptians from January 25 to February 11, 2011, when President Mubarak resigned.
In July 2011, Adbusters proposed a peaceful occupation of Wall Street to protest corporate influence on democracy, the lack of legal consequences for those who brought about the global crisis of monetary insolvency, and an increasing disparity in wealth. The protest was promoted with this poster featuring a dancer atop Wall Street's iconic Charging Bull statue, and was the centerfold in the September/October 2011 issue #97.* The internet group, Anonymous, encouraged its readers to participate, and other groups also helped to organize and promote the protest. The action itself began on September 17, but it exploded a week later, after the NYPD pepper sprayed peaceful protesters, and videotapes of their action went viral on the Internet.
Immediate prototypes for OWS include the British student protests of 2010, Greece's and Spain's anti-austerity protests of the "indignados" (indignants), as well as the Arab Spring protests. These antecedents have in common with OWS a reliance on social media and electronic messaging to circumvent the authorities, as well as frustration and anger towards financial institutions, corporations and the political elite. Occupy Wall Street, in turn, gave rise to the Occupy movement in hundreds of cities in the U.S. and around the world.
In November and December 2011, police launched violent raids against the Occupy Movement, and camps in many cities, including New York and Los Angeles, were dismantled, injuring and arresting many people in the process. Evicted protesters vowed to continue the struggle, either by setting up new camps or exploring new ways to engage communities.
On September 17, 2012, to celebrate the first year anniversary of OWS , protests took place in dozens of cities throughout the U.S.
*The November/December issue of Adbusters #98, included an apology to Rachel Cossar, the dancer featured in this poster, whose image was used without her permission. She is a professional ballerina with the Boston Ballet, is in no way associated with, nor does she endorse the #occupywallstreet campaign.
Labels:
Adbusters,
Occupy Wall Street,
Poster of the Week
Friday, September 7, 2012
Poster of the Week
Ricardo
Flores-Magón
Carlos
Cortéz
Linocut,
1978
Chicago,
Illinois
4489
CSPG’s
Poster of the Week by artist,
activist and poet Carlos Cortéz (1923-2005), commemorates Ricardo Flores-Magón (1873-1922), writer,
anarchist, and an organizer in Mexico prior to the 1910 Revolution. It also brings attention to the 4th
annual Anarchist Bookfair taking
place in Los Angeles on Saturday, September 8, 2012.
Carlos Cortéz
(August 13, 1923 – January 19, 2005) was a poet, graphic artist, photographer, muralist
and political activist. For six
decades he was active with the Industrial Workers of the World (IWW), also
known as the “Wobblies”. In 1998, he received CSPG’s “Art is a Hammer” Award.
Born
in Milwaukee, Wisconsin in 1923, the son of a Mexican-Indian Wobbly union
organizer father and a German socialist pacifist mother, Cortéz spent 18 months in a U.S.
prison as a conscientious objector during the World War II, refusing to
"shoot at fellow draftees." Cortéz joined the Industrial
Workers of the World in 1947, identifying himself as an anarcho-syndicalist,
writing articles and drawing cartoons for the union newspaper the Industrial
Worker for several decades.
Ricardo Flores-Magón
founded a newspaper entitled, "Regeneración" (Rebirth) which aroused
the workers against the dictatorship of Porfirio Díaz in Mexico. As a result of
his activism, Flores-Magón was expelled from Mexico in 1903. Because the paper
was also too controversial in Mexico, he began publishing it in the United
States. It was then smuggled back
into Mexico and read by the forces of Emiliano Zapata, among others. Zapata
took Flores-Magón's slogan "tierra y libertad" (land and liberty) and
made it his own battle cry. Flores-Magón lived and organized in Texas, St.
Louis, and Los Angeles. Because of collusion between the Mexican government and
the U.S. government, the U.S. eventually arrested him in 1918 for seditious
activity and jailed him in Leavenworth penitentiary where he died under
mysterious circumstances.
The
paper in Flores-Magón's hand symbolizes his theory on art. While in prison, he wrote a treatise in
which he clearly opposes the idea of art
for art's sake. Because he
felt such a reverent admiration and love for art, Flores-Magón lamented what he
interpreted as the "prostitution of art" by those who were unable to
communicate.
This "art for art's sake" is absurd
and its defenders have always burned my nerves. I feel a reverent admiration
and love for art that it hurts me see it prostituted by those who do not have
the power of making others feel like they do or think what they think, they
hide their impotence under the motto of "art for art's sake.”
—Ricardo Flores-Magon
Please
visit CSPG’s table at the Anarchist Bookfair, Saturday, September 8, 2012
SATURDAY, SEPTEMBER 8, 2012
10 am – 6 pm
The Los Angeles Municipal Art Gallery
4800 Hollywood Boulevard
Los Angeles, CA 90027
PRESENTATIONS, WORKSHOPS and PANELS ALL DAY, including a performance about Ricardo Flores-Magón at 12:30 pm.
CSPG will be on site selling posters, catalogues and t-shirts!
Please join us!
For more information: http://anarchistbookfair.com/
Friday, August 31, 2012
Poster of the Week
El Pueblo, Unido, Jamas Sera Vencido
The Workers, United, Will Never Be Defeated
Dan Jones
Labour May Day Committee
Offset, 1980
London, UK
11033
CSPG’s Poster of the Week celebrates worker solidarity, perfect for Labor Day. The title comes from one of the most internationally renowned songs of the Nueva Cancion Chilena (New Chilean Song) movement, composed and recorded in June 1973. Just a few months later, on September 11, 1973, a U.S. engineered military coup overthrew the democratically elected government of Salvador Allende. After the Chilean coup, the song became the anthem of the Chilean resistance against the brutal U.S. supported Pinochet regime. El Pueblo, Unido, Jamas Sera Vencido continues to be used in various protests around the world, most of which have no direct connection to the Chilean coup or Latin America. The lyrics have been adapted or translated into many languages.
The poster shows workers from diverse trades and countries holding signs with a variety of demands and slogans including:
- El Pueblo, Unido, Jamas Sera Vencido The Workers, United, Will Never Be Defeated
- Work Not Dole
- We Require 8 Hours For Work 8 Hours For Our Instruction And 8 Hours For Our Repose
- 8 Hour Day
- The People's Flag Is Deepest Red, It Shrouded Oft Our Martyred Dead
- Debut D'Une Lutte Prolongee
- Pan Trabajo Y Libertad
History of Labor Day
Labor Day may be over 100 years old, but its history continues to be politically charged and open to interpretation. The observation of Labor Day on the first Monday in September is usually attributed to the Knights of Labor who held their first parade in New York on September 5, 1882. By 1887, Colorado, Massachusetts, New Jersey, New York and Oregon all celebrated Labor Day on the first Monday of September, and in 1894, the first Monday was established as a Federal holiday in the U.S.
But eight years earlier, in 1889, May 1 was selected as a day to celebrate workers by the Second Socialist International. That date was selected to commemorate the Haymarket Massacre, an important but rarely taught event in U.S. history. [Haymarket Massacre discussed below]
So the question can be raised, Why does the American worker celebrate Labor Day in September when internationally, workers celebrate it on May 1st in commemoration of American Martyrs to the labor movement? This question is clarified by the fact that May first is observed unilaterally by workers (not by management), while the September holiday is enjoyed by all, perpetuating the myth that Labor and Management are both working together. The proclamation of Labor Day in September in the United States has been interpreted as an effort to isolate U.S. workers from colleagues around the world, and obscure the history of what Management did to Labor in Chicago in 1886. That said, it is important to know the history of both holidays. It is also important to note that U.S. workers get far fewer holidays than workers in other industrialized nations. Whether or not Labor Day was established to deflect attention—and awareness—from the history of May Day, it is still a great time to celebrate workers accomplishments and express labor solidarity.
Haymarket Massacre
On May 1, 1886 demonstrations in support of the 8-hour day took place all across the country. Chicago's was the biggest with an estimated 80,000 marching on Michigan Avenue, much to the alarm of Chicago's business leaders and newspapers who saw it as foreshadowing "revolution," and demanded a police crackdown. Over the next several days, police attacked demonstrators and broke up mass meetings. On May 4, a bomb was thrown by a still unidentified person, and both police and demonstrators were killed by the bomb and subsequent police shootings. In the aftermath of the event, unions were raided all across the country. Eight labor organizers were prosecuted in a show trial. None were linked to the unknown bomb thrower, and some were not even present at the time. They were held to be responsible for the bomb thrower's act, because their public criticism of corporate America, the political structure, and the use of police power against the working people, was alleged to have inspired the bomber. They were found guilty in a trial, which Illinois Governor John Peter Altgeld subsequently held to be grossly unfair. On June 26, 1894, Altgeld pardoned three who were still alive and in prison; but four had been hanged, and one had committed suicide.
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